Category: Classical

Largo - Antonio Vivaldi - As Quatro Estações / Glória, RV 589 (CD)

Vivaldi curiously appropriated and reworked a setting by Giovanni Maria Ruggieri RV 589 (CD) the final chorus, "Cum sancto spiritu," for both his versions. Largo - Antonio Vivaldi - As Quatro Estações / Glória also includes the pieces Vivaldi wrote as introductions to the Glorias, Ostro picta, armata spina for soprano solo for RVand Jubilate o ameni Chori for contralto solo for RV AllMusic relies heavily on JavaScript.

Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. The first figure,with its distinctive octave leaps, is at once rhythmically vital andharmonically stable and lends itself easily to sequential treatment.

Typicallyfor a violinist perhaps, the composer often displays a tendency to leaveintricacy to the instruments and to employ the chorus homophonically, as here. The second choral movement, Et in terra paxexplores this idea further,while extending the harmonic range with a profusion of Neapolitan sixths andsome extraordinary modulations.

Even more unorthodox is Laudamus te inthat the opening ritornello is a slightly uncomfortable seventeen bars long;Vivaldi here allows himself some florid vocal lines for the two soprano soloistsand uses chains of suspensions - a favourite device. The short homophonicsetting of the words Gratias agimus tibi gives way to a fugue of somedexterity, although it must be Largo - Antonio Vivaldi - As Quatro Estações / Glória that Vivaldi is at his best when dealingwith simpler forms: the following soprano aria with obbligato oboe is a case inpoint.

Here a long melody is gracefully unfolded in the metre of a Siciliano,while the continuo line recalls the octave leaps of the first movement. Sequenceis again much in evidence in Domine Fili unigenitethe composerdisregarding convention by resolving suspensions in the violin parts by downwardleaps of a 7th. Domine Deus, Agnus Dei uses contrasting forces: the altosoloist, accompanied by continuo, has descending scalic lines which arepunctuated by chordal interjections from the choir and orchestra.

Thepenitential section continues with both groups singing separate triple-timemovements, and the work concludes with a recapitulation of the opening for Quoniamtu solus Sanctus and a final fugal movement. Beatus vir is even more structurally cohesive than the Gloria: not onlydoes the opening music reappear for the Gloria Patri, but the phrase 'Beatus vir'becomes a refrain, being interpolated at strategic points in the work, Largo - Antonio Vivaldi - As Quatro Estações / Glória unity to the whole.

This phrase is characteristically simple, its staticvocal lines accompanied by a descending scale. Much of the interest that thispiece holds for the listener relies on the use of double orchestra and choir, athrowback perhaps to the cori spezzati style of earlier Venetian composers, yetat the end of the first movement the two orchestras alternate parallel major andminor tonalities with an almost Schubertian flair and at one point even play twodifferent triads simultaneously: thus the composer manages to be bothretrospective and visionary at the same time.

Sovente riporta un motto. Assente nel libro antico. I primi incunaboli e manoscritti non avevano il frontespizio, ma si aprivano con una carta bianca con funzione protettiva. Nel XVII secolo cede la parte decorativa all' antiporta e vi compaiono le indicazioni di carattere pubblicitario riferite all'editore, un tempo riservate al colophon. In epoca moderna, le illustrazioni e parte delle informazioni si sono trasferite sulla copertina o sulla sovraccoperta e altre informazioni nel verso del frontespizio.

Nel libro antico i "nervi" sono i supporti di cucitura dei fascicoli. I nervi possono essere lasciati a vista e messi in evidenza attraverso la "staffilatura"oppure nascosti in modo da ottenere un dorso liscio.

Nel libro moderno i nervi sono di norma finti, apposti per imitare l'estetica del libro antico e conferire importanza al libro. Se esse fanno parte integrante del testo sono chiamate illustrazioni. Esse hanno una numerazione di pagina distinta da quella del testo; vengono impresse su una carta speciale, quasi sempre una carta patinata.

Altri progetti. Da Wikipedia, l'enciclopedia libera. Disambiguazione — "Libri" rimanda qui. Se stai cercando altri significati, vedi Libri disambigua. Disambiguazione — Se stai cercando altri significati, vedi Libro disambigua. Pagina del Codex Argenteus. Storia, tecnica, strutture. Arma di Taggia, Atene,p. All , of you. URL consultato il 15 agosto There are , of them. At least until Sunday. URL consultato il 5 giugno Scribes, Script and Books RV 589 (CD), p.

Dover Publicationsp. Libro VI, capitolo Cambridge University Presspp. Casson, op. Solo codici venivano usati dai cristiani per far copie delle Sacre Scritture e anche per altri scritti religiosi. Gli undici codici biblici di questo periodo sei con la Septuaginta e cinque con parti del Nuovo Testamento sono su codici. Colin H. Roberts e T. ISBN Hagedorn et al. Blanchard cur. Ritrovamenti del III secolo : di cui 15 sono codici greci di pergamena e 2 latini di pergamena; IV secolo : di cui 56 in pergamena; V secolo : di cui 46 in pergamena.

Willis su Greek, Roman, and Byzantine Studiesp. Scribes, Script and Bookspp. Saint Benedict and His Monks. Staples Press Ltdpp. Latin Palaeographypp. URL consultato il 26 agosto archiviato dall' url originale il 4 dicembre Oxfordp.

URL consultato il 20 agosto archiviato dall' url originale il 19 agosto Altre edizioni: —84,—93 edizione italiana, Literary machines URL consultato il 10 gennaio Altri progetti Wikiquote Wikizionario Wikimedia Commons. This composition, probably for a Venetian church during a festival, is dated September 9, N. This Gloria provided much inspiration for Vivaldi's two settings and for RV 589 (CD) Glorias by other composers at the time, who may have used it in their settings.

RV enjoys well-founded popularity, performed at many sacred events, including Christmas. RVhowever, has had little success and has only been published in few albums. Attempts to create more attention to RV and other sacred Vivaldi works most notably by The King's Consort are underway.

There are several different editions, and choirs need to exercise caution when combining different vocal and orchestral editions. RV has also been used in a number of films. An adaptation of the second movement was used with profound effect in the final climactic scenes of the Andrei Konchalovsky film Runaway Train.

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9 thoughts on “Largo - Antonio Vivaldi - As Quatro Estações / Glória, RV 589 (CD)

  1. Un libro è un insieme di fogli, stampati oppure manoscritti, delle stesse dimensioni, rilegati insieme in un certo ordine e racchiusi da una copertina.. Il libro è il veicolo più diffuso del sapere. L'insieme delle opere stampate, inclusi i libri, è detto letteratura.I libri sono pertanto opere biblioteconomia e scienza dell'informazione un libro è detto monografia, per.

  2. Today the Gloria, RV is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the "Gloria" as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services/5(25).

  3. Sheet music for Antonio Vivaldi: Gloria RV buy online. Solo S, Solo S, Solo A, Solo B, SATB, Piano (CHOR). Published by Ricordi. Composer: Vivaldi.

  4. Antonio ViVAldi Gloria RV Edited and Translated by Clayton Westermann. PREFACE The source of this edition of Antonio Vivaldi’s Gloria is Raccolta Renzo Giordano, Opere Sacre, Tome I. ff. 90–r in the Biblioteca Nazionale in Turin. The full score, orchestra parts, and vocal.

  5. Gloria, RV Composed by Antonio Vivaldi. Orchestration. 2 sopranos, alto, mixed chorus, oboe, trumpet, strings, continuo. I. Gloria II. Et in terra pax In composing music for two of the oldest Christian liturgical texts—the Gloria and the Magnificat—Antonio Vivaldi and Johann Sebastian Bach stepped onto a well-worn path.

  6. Gloria RV Herkömmliche CD, die mit allen CD-Playern und Computerlaufwerken, aber auch mit den meisten SACD- oder Multiplayern abspielbar ist. Das Album Gloria, das am bei DECCA erscheint, zeigt eine berührende und gleichzeitig lebensbejahende Interpretation des sakralen Meisterwerkes von Antonio Vivaldi.4/5(5).

  7. Livraison gratuite dès 25 € d'achats et des milliers de CD. Tout sur Gloria / RV - Antonio Vivaldi, CD Album et tous les albums Musique CD, Vinyle.

  8. Antonio Vivaldi: Gloria in D (RV ) Let’s face it: Vivaldi is never going to be signing copies of his latest CD in a branch of HMV or anywhere else. There are those that use this fact as an example of classical music’s limits.

  9. Antonio Vivaldi wrote at least three settings of the hymn Gloria in excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the survive: RV and RV A third, RV , is mentioned only in the Kreuzherren catalogue and presumed lost. The RV Gloria is a familiar and popular piece among sacred works by Vivaldi.

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