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Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Research interests range from the comprehensive evaluation of malaria treatment policy changes in southern Africa, to improving anti-malarial dosing regimens for vulnerable populations including young children, pregnant women and those with prevalent co-morbidities, including malnutrition and HIV and more recently leading Phase 1 clinical trials on novel antimalarial Jimmy Woode - The Colorful Strings Of Jimmy Woode (CD.
Research interests: HIV cohort and infectious disease epidemiology; operations research on service responses for priority health conditions; data harmonisation and linkage; and context-appropriate health information systems development.
David is a public health specialist with many years operational experience in primary care and infectious disease service delivery.
He holds an honorary faculty position at UCL. Research interests: understanding how the malaria parasite deals with the large influx of haem associated with ingestion and degradation of haemoglobin in its digestive vacuole and the effects of antimalarials such as chloroquine, which inhibit this process. Speciation and behaviour of free Fe III haem in aqueous solution. Interaction of Fe III haem with antimalarials and effects on haem in cultured parasites. Is one of the very rare cardiologists in South Africa who is clinically active and trained in fundamental molecular laboratory methods, combining laboratory and epidemiological skills.
Widely published in both local and international journals and books of various topics related to cardiovascular medicine. Internationally recognized for her outstanding work in the area of heart failure.
Jimmy Woode - The Colorful Strings Of Jimmy Woode (CD with a range of prestigious national and international clinical and academic centers. She holds an appointment as adjunct professor at the University of Queensland, Brisbane, Australia and as a visiting professor at the Baker Institute in Melbourne, Australia. The Brain and Behaviour Initiative BBI enables cross-faculty, multidisciplinary, collaborative research in the cognitive and affective neurosciences and brings together expertise on phenotyping, genotyping, cognotyping, brain imaging and molecular signatures to address brain-behaviour issues.
New Album) techniques including brain imaging, genetic testing and neuropsychological assessment combined with new theoretical insights have opened up significant potential for the advancement of novel diagnostic tools and treatments for people with mental disorders. At the time of the festival, the band did not even have a record deal.
Duke and his orchestra arrived to play at the Newport Jazz Festival at a time when jazz festivals were a fairly new innovation. Ellington's band was the first and last group to play at the Newport Festival. This set was played without a few of the band's members as they were unable to be found at the start of the show.
After performances by the other groups, the remainder of the band was located and the real performance began. This suite was intended to be the showstopper, but the reception was not as enthusiastic as was hoped. Following the Festival suite, Duke called for Harry Carney 's baritone saxophone performance of " Sophisticated Lady ". Then the orchestra played " Day In, Day Out ".
Following this, Duke announced that they were pulling out "some of our vintage": " Diminuendo and Crescendo in Blue " joined by an improvised interval, which Duke announced would be played by tenor saxophonist Paul Gonsalves. Ellington had been experimenting with the reworking for several years before the Newport performance; a release of one of his Carnegie Hall concerts of the s presented the two old blues joined by a wordless vocal passage, "Transbluecency," but in time he chose to join the pair by a saxophone solo, handing it to Gonsalves, experimenting with it in shorter performances before the Newport show, where Ellington is believed to have told Gonsalves to blow as long as he felt like blowing when the solo slot came.
It came after two choruses of an Ellington piano break at what was formerly the conclusion of "Diminuendo in Blue. As performed at Newport, the experiment ended up revamping the Ellington reputation and fortune for the rest of Ellington's life. The previous experiments culminated in a chorus solo by Jimmy Woode - The Colorful Strings Of Jimmy Woode (CD — simple, but powerful — backed only by bassist Jimmy Woodedrummer Sam Woodyardand Ellington himself pounding punctuating piano chords and with several audible band members as well hollering urgings-on "Come Album), Paul — dig in!
Dig in! The normally sedate crowd was on their feet dancing in the aisles, reputedly provoked by a striking platinum blonde woman in a black evening dress, Elaine Anderson, getting up and dancing enthusiastically.
After that performance, pandemonium took over. Duke calmed the crowd by announcing: "If you've heard of the saxophone, then you've heard of Johnny Hodges. The festival's organizers tried to cut off the show at this point but once again were met with angry refusals to end the evening.
Duke told the announcer that he would end the show and wanted to thank the audience but instead announced he had a "very heavy request for Sam Woodyard in 'Skin Deep'", a number written by former Ellington drummer Louis Bellson.
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