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She then signed with EastWest and released two albums. Her next album All in One Voice failed to chart worldwide. Her bilingual duet " Si demain Turn Around " with Kareen Antonn became a number one hit in France. Tyler's subsequent albums, Simply Believe and Wingswere both produced in France.
InTyler released her seventeenth studio album, Between the Earth and the Starswhich peaked at no. From Wikipedia, the free encyclopedia. The album was re-released digitally by Peacock Records in under the title Live in Germany. Official Charts Company. Retrieved 9 August Australian Chart Book — illustrated ed. St Ives, N. ISBN Hung Medien. Retrieved 1 November Australia's Music Charts Retrieved 10 August GfK Entertainment.
Retrieved 20 March Prometheus Global Media. British Phonographic Industry. Archived from the original To access, enter the search parameter "Bonnie Tyler" and select "Search by Keyword" on 6 February Music Canada. Recording Industry Association of America. Retrieved 13 August All Media Network. IFPI Norway. IFPI Austria. InEDM artist Deadmau5who worked with Jay-Z's Roc Nation, tried to sue his former manager for remixing his songs without permission, claiming that he gave his manager the go-ahead to use his work for some remixes, but not others.
The two parties reached an agreement in that kept Play Records from making any new remixes. Remixes can boost popularity of the original versions of songs.
Thanks to a combination of guest raps, re-sung or altered lyrics and alternative backing tracks, some hip-hop remixes can end up being almost entirely different songs from the originals.
An example is the remix of " Ain't It Funny " by Jennifer Lopezwhich has little in common with the original recording apart from the title. Conversely, a more uptempo number can be mellowed to give it " quiet storm " appeal. Frankie Knuckles saddled both markets with his Def Classic Mixes, often slowing the tempo slightly as he removed ornamental elements to soften the "attack" of a dancefloor filler. These remixes proved hugely influential, notably Lisa Stansfield 's classic single " Change " would be aired by urban radio in the Knuckles version, which had been provided as an alternative to the original mix by Ian Devaney and Andy Morris, the record's producers.
In the age of social media, anybody can make and upload a remix. The most popular apps for doing this are Instagram and YouTube. A remix may also refer to a non-linear re-interpretation of a given work or media other than audio such as a hybridizing process combining fragments of various works.
Thus the concept of a remix can be applied to visual or video Anybody There - Rainbow - The Ballads Of (Cassette), and even things farther afield. Mark Z. Danielewski 's disjointed novel House of Leaves has been compared by some to the remix concept. A remix in literature is an alternative version of a text. William Burroughs used the cut-up technique developed by Brion Gysin to remix language in the s.
Remixing of literature and Anybody There - Rainbow - The Ballads Of (Cassette) is also apparent in Pixel Juice by Jeff Noon who later explained using different methods for this process with Cobralingus A remix in art often takes multiple perspectives upon the same theme.
An artist takes an original work of art and adds their own take on the piece creating something completely different while still leaving traces of the original work. It is essentially a reworked abstraction of the original work while still holding remnants of the original piece while still letting the true meanings of the original piece shine through.
Famous examples include The Marilyn Diptych by Andy Warhol modifies colors and styles of one imageand The Weeping Woman by Pablo Picasso, merges various angles of perspective into one view. Some of Picasso's other famous paintings also incorporate parts of his life, such as his love affairs, into his paintings.
Other types of remixes in art are parodies. A parody in contemporary usage, is a work created to mock, comment on, or make fun at an original work, its subject, author, style, or some other target, by means of humorous, satiric or ironic imitation. They can be found all throughout art and culture from literature to animation. The internet has allowed for art to be remixed quite easily, as evidenced by sites like memgenerator. In recent years the concept of the remix has been applied analogously to other media and products.
Inthe British Channel 4 television program Jaaaaam was produced as a remix of the sketches from the comedy show Jam. Remix production is now often involved in media production as a form of parody. Scary Movie series is famous for its comic remix of various well-known horror movies such as Ring, Scream, and Saw. This form of remix is also used in advertisements, creating parodies of famous movies, TV series, etc.
For example, McDonald's published a commercial poster that parodied the movie Dark Knight. Virtua Fighter had been released on the Saturn in a less-than-impressive state. Sega had attempted to make an accurate port of the Sega Model 1 arcade version, and therefore chose to use untextured models and the soundtrack from the arcade machine. However, as the Saturn was incapable of rendering as many polygons on screen as Model 1 hardware, characters looked noticeably worse. Many claim it to be even worse than the Sega 32X version, thanks to the added CD loading time.
Virtua Fighter Remix was created to address many of these flaws. Models have a slightly higher polygon count though still less than the Model 1 version ; they are also texture-mapped, leading to a much more modern-looking game that could effectively compete with the PlayStation. The game also allows players to use the original flat-shaded models. North American owners would get Virtua Fighter Remix for free if they registered their Saturns, while Japanese customers would later receive a SegaNet compatible version.
Because remixes may borrow heavily from an existing piece of music possibly more than onethe issue of intellectual property becomes a concern. The most important question is whether a remixer is free to redistribute his or her work, or whether the remix falls under the category of a derivative work according to, for example, United States copyright law.
Of note are open questions Anybody There - Rainbow - The Ballads Of (Cassette) the legality of visual works, like the art form of collagewhich can be plagued with licensing issues.
There are two obvious extremes with regard to derivative works. If the song is substantively dissimilar in form for example, it might only borrow a motif which is modified, and be completely different in all other respectsthen it may not necessarily be a derivative work depending on how heavily modified the melody and chord progressions were. On the other hand, if the remixer only changes a few things for example, the instrument and tempothen it is clearly a derivative work and subject to the copyrights of the original work's copyright holder.
The Creative Commons is a non-profit organization that allows the sharing and use of creativity and knowledge through free legal tools and explicitly aims for enabling a Remix culture.
The artist can limit the copyright to specific users for specific purposes, while protecting the users and the artist. Generally, the courts consider what will amount to a substantial part by reference to its quality, as opposed to quantity and the importance the part taken bears in relation to the work as whole. There are proposed theories of reform regarding the copyright law and remixes.
Nicolas Suzor believes that copyright law should be reformed in such a manner as to allow certain reuses of copyright material without the permission of the copyright owner where those derivatives are highly transformative and do not impact upon the primary market of the copyright owner.
There certainly appears to be a strong argument that non commercial derivatives, which do not compete with the market for the original material, should be afforded some defense to copyright actions.
Stanford Law professor Lawrence Lessig believes that for the first time in history creativity by default is subject to regulation because of two architectural features.
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